L’\u0153uvre de Michael Lucken explore comment les rencontres avec des cultures \u00e9trang\u00e8res peuvent remettre en question les mani\u00e8res \u00e9tablies de voir et mener \u00e0 une transformation authentique. Dans *The Foreign Universal*, il nous invite \u00e0 reconna\u00eetre que chaque point de vue est situ\u00e9 et que le dialogue prend tout son sens lorsqu’il transforme les personnes impliqu\u00e9es. <\/p>\n
Fuqiao peut utiliser cette approche comme cadre conceptuel pour aider les artistes \u00e0 d\u00e9velopper des projets sp\u00e9cifiques \u00e0 un site. Elle offre un moyen d’examiner comment une intuition artistique initiale peut \u00eatre transform\u00e9e par l’engagement avec un lieu, son histoire et ses communaut\u00e9s, puis traduite en une candidature claire et cr\u00e9dible pour un \u00e9v\u00e9nement tel que la Triennale de Setouchi. <\/p>\n","protected":false},"excerpt":{"rendered":"
L’\u0153uvre de Michael Lucken explore comment les rencontres avec des cultures \u00e9trang\u00e8res peuvent remettre en question les mani\u00e8res \u00e9tablies de […]<\/p>\n","protected":false},"author":1,"featured_media":5342,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"categories":[59],"tags":[],"year-journal":[],"author-journal":[24],"class_list":["post-5330","journal","type-journal","status-publish","format-standard","has-post-thumbnail","hentry","category-notes-2","author-journal-daniel-duhautbout"],"acf":[],"_links":{"self":[{"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/journal\/5330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/journal"}],"about":[{"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/types\/journal"}],"author":[{"embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/comments?post=5330"}],"version-history":[{"count":3,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/journal\/5330\/revisions"}],"predecessor-version":[{"id":5343,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/journal\/5330\/revisions\/5343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/media\/5342"}],"wp:attachment":[{"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/media?parent=5330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/categories?post=5330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/tags?post=5330"},{"taxonomy":"year-journal","embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/year-journal?post=5330"},{"taxonomy":"author-journal","embeddable":true,"href":"https:\/\/fuqiao.art\/fr\/wp-json\/wp\/v2\/author-journal?post=5330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}